Secondary Dominant Calculator

FAQs

How do you find the secondary dominant? A secondary dominant is typically found by identifying a non-diatonic (outside of the key) dominant chord that resolves to a chord other than the tonic (I) in a given key.

What is a secondary dominant theory? Secondary dominant theory is a concept in music theory where a chord that functions as a dominant (V or V7) in a key other than the tonic key is used to create tension and lead to a chord that is not the tonic. This borrowed dominant chord is called a secondary dominant.

How do you use a secondary dominant chord? You use a secondary dominant chord to create harmonic tension and lead to a chord that is not the tonic in the key. It adds color and interest to chord progressions.

What is the secondary dominant of VI? The secondary dominant of VI (submediant) in a major key is typically the V7 chord built on the note that is a major fifth above VI. For example, in the key of C major, the secondary dominant of VI (A minor) is E7.

What is the secondary dominant of a 7? It’s unclear what you mean by “a 7.” If you’re referring to a specific chord or context, please provide more information.

Are secondary dominants always 7th chords? Secondary dominants are often 7th chords (V7), but they can also be simple major chords (V) depending on the musical context and the desired harmonic effect.

What is an example of a secondary dominant? In the key of C major, a common secondary dominant is G7 (the dominant of the dominant) leading to the C major chord.

What scale is secondary dominant? Secondary dominants are typically based on the scale of the key in which they temporarily function as dominant chords.

What are secondary dominants in the key of A? In the key of A major, secondary dominants could include E7 (the dominant of A) leading to A major, or B7 (the dominant of the dominant) leading to E major, among others.

How do secondary dominants work? Secondary dominants work by introducing a dominant chord from outside the current key, creating tension that resolves to a non-tonic chord, adding harmonic interest and color to a progression.

When should I use secondary dominants? You can use secondary dominants to add variety and tension to chord progressions when you want to create a more complex and colorful harmonic structure.

What chord scale is secondary dominant? The chord scale for secondary dominants is usually based on the key in which they temporarily function as dominant chords.

Can secondary dominants be minor? While secondary dominants are often major (V or V7) chords, they can be minor if the borrowed chord fits the desired harmonic progression.

Does a secondary dominant have to resolve? Yes, the primary function of a secondary dominant is to create tension that resolves to a non-tonic chord.

What is the secondary dominant chord to IV? In the key of C major, the secondary dominant to IV (F major) is C7.

How do you tell if a chord is a secondary dominant? You can identify a secondary dominant by looking for a dominant chord (usually V or V7) that doesn’t belong to the current key and resolves to a non-tonic chord.

Are secondary dominant chords major or minor? Secondary dominant chords can be either major (V or V7) or minor, depending on their function in the progression.

Are secondary dominants borrowed chords? Yes, secondary dominants are considered borrowed chords because they are taken from a different key.

What is a secondary 7th in music? A “secondary 7th” is not a standard music theory term. It’s possible that you meant a “secondary dominant 7th,” which would refer to a secondary dominant chord that is a seventh chord (e.g., V7 of a non-tonic chord).

What is secondary dominant seventh chords? Secondary dominant seventh chords are seventh chords that function as secondary dominants, creating tension and leading to non-tonic chords.

How do you modulate to secondary dominant? To modulate to a secondary dominant, you introduce a dominant chord from a different key and resolve it to a non-tonic chord, effectively changing the tonal center for a moment.

What is an example of a secondary dominant chord progression? An example of a secondary dominant progression in C major could be: C – E7 (secondary dominant of Am) – Am. The E7 creates tension, leading to the Am chord.

Is secondary dominant predominant? Secondary dominants are not considered predominant chords. Predominant chords typically include subdominant chords (e.g., IV) that prepare the dominant chord.